Invented Poetry Forms – The Cascada Veinte

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Wow, I can’t believe it’s been over three months since I last introduced a new invented poetry form here, a series which until recently had been the mainstay of this blog. I hope you will all forgive me for this inexcusable negligence, but I am back today with what I feel is a truly great one. Chances are you may not be familiar with the cascada viente poem (since it was only invented this year), but I am sure you are with its amazing creator, the very talented poet, writer, and blogger Brad Osborne and his wonderful blog Commonsensibly Speaking. Those who read Brad faithfully knows every Tuesday Brad posts a new installment of his weekly series, Whittled Words, which (in his own words) highlights “the innumerable types and styles of poetry to challenge any creative wordsmith”. There last August, Brad posted his very first attempt at inventing a new form of poetry, the “Cascada Veinte” (Spanish for ‘cascading twenty’). It was inspired by the Decima, Villanelle, and Roundabout forms and created in honor of a great artist and good friend, Francisco Bravo Cabrera.

The cascada viente is a twenty line poem containing five stanzas of four lines a piece (quatrains). It is isosyllabic with no required meter and has seven syllables per line. Its rhyme scheme consists of cascading alternate doubles and can be expressed as abab bcbc cdcd dede efef.

Brad has graciously given me permission to post his poem “One Is the Loneliest”, the very first cascada viente ever written (and no doubt still the best) to serve as a model for your own attempt at the form:

One Is the Loneliest

It’s a crushing kind of tired
Not of body, but of soul
Grace seemingly expired
Not a feeling at all whole

Playing a singular role
Acting it well to the bone
Oneness is taking its toll
Tired of being alone

Wanting words have not atoned
And un-warmed sheets yet to show
Worth slowly being dethroned
A fragile child’s ego

Longing heart that does not know
How to let love be set free
That one on which to bestow
The heart chained deep within me

Cherished one, stay not from me
Don’t make me wait much longer
Come and bring some proof to see
That love can make me stronger

—Brad Osborne

So what do you think, folks? I, myself, really love this form, especially because of its classical feel. If I didn’t know better, I would swear the cascada viente dated back centuries, not just a few months. Though I was a bit intimidated by the cascading alternate doubles rhyme scheme (it is, at least for me, somewhat tricky to master), I was inspired to try my own humble effort at this great new form, and believe it serves as a perfect vehicle for the following pastiche of one of my favorite Edgar Allen Poe poems (with a topical twist):

The Return of the Conqueror Worm
(A Sequel Set in Current Times)

Behold! The conqueror worm
Returns again to the stage
In the guise of a vile germ,
Its audience in a cage,

As it heralds in the age
Of Zoom (with us quarantined,
Trapped like words upon the page).
This strutting, villainous fiend

Having our lives guillotined,
Cut off from family, friends
Forcibly being pulled, weaned
From them til this madness ends-

Tragicomedy that blends
Mournful pathos with jest,
A sick farce which all depends
On its denouement. The rest,

Just exposition at best
And a bad plot twist unseen:
This play has no hero, lest
It’s truly Covid-Nineteen…

—Paul Szlosek

Thank you so much for reading for reading today’s post, and I hope you will try your own hand at writing this brand new form (the world sorely needs more cascada viente poems!)