In my last post, I introduced the herrickelle, a poetic form I recently invented based on the poem “Upon His Departure Hence” by the 17th Century English poet and priest Robert Herrick. Today I would like to share a few more herrickelles I’ve written. If after reading them, you feel inspired to try your hand at writing one of your own, I recommend going back and reading my original post on the herrickelle, where the rules to writing them are laid out in full.

(One quick note: the herrickelle is not the only invented poetry form to be based on the work of Robert Herrick. There is also the herrick, modeled on what is clearly Herrick’s most notorious poem  ”To the Virgins to Make Much of Time”. The herrick is definitely a more sophisticated and complex form than my rather simple herrickelle, involving alternating masculine and feminine rhymes and strict meter. If this intrigues you, you can read more about the herrick here.)

You will discover all four of these herrickelles certainly have a more modern feel to them in terms of theme and language than the one I posted yesterday as an example (that one had a distinct Medieval flavor). I hope you enjoy reading them, and am curious to hear what you think, both about the form and the individual poems:

Gambling at Foxwoods

I say
the way
I p!ay

takes not
a lot
of thought.

I spin,
don’t win,
begin

to let
roulette
upset

my day.
I stay
and pray.

Oh no,
I go
and blow

a wad
on Odd,
(oh god)

or Red
instead.
So dead

on my
feet, I
still try

to win
and spin
again.

I bet
more, get
more debt!.

Perseverance in a Catastrophe

I know
the show
must go

on. You
do too
(No clue

how or
what for).
Ignore

your doubts,
the shouts,
the bouts

of pain.
Remain
calm, sane

til one
Is done,
my son.

A Letter of Advice (to Vincent From Salvador)

Hello,
Van Gogh!
Start slow…

Adhere
your ear,
with beer.

Erase
your face.
Replace

it with
a myth,
a glyph.

Disguise
your eyes
with lies

once told
(so bold)
to old

girlfriend.
Pretend
to mend

your heart;’
restart
your art!

Critique of a Terrible Poet

This time,
his crime
was rhyme

so bad;
it’s sad.
It had

no flow
and no
joy – oh,

no bit
of wit.
It’s sh*t!

 

 

Although the form we are discussing in today’s post was recently invented by myself within the last year, in many ways, it has been around for over 500 years. Confused? Well let me explain just how the herrickelle came about.

In terms of classical poetry, the majority of metered verse has probably been most commonly written in either iambic pentameter or tetrameter. On the other hand, examples of poets who were known to have wrote in iambic monometer are quite rare, except for one major exception (okay, here is a quick aside for those who have never learned or totally forgotten all about poetical meter. A foot is a unit of poetical measure made up of usually two, but sometimes three, or even four syllables, where the sound of one or more particular syllables are emphasized. An iamb is a specific type of foot consisting of two syllables with the last of the pair being stressed. Iambic pentameter is a line of five feet, while iambic tetrameter is four, and of course, iambic monometer is just one metered foot, or, put in another way, two syllables. Get it? Neither do I, but let’s go on):

Robert Herrick was an English poet, priest, and (by most accounts) playboy from the 17th century. Best known for his poems ”To the Virgins to Make Much of Time,” “Upon Julia’s Clothes,” and “Corinna’s Going a Maying,” , he is probably the only major poet proven to have had a penchant for writing poetry in iambic monometer. In fact, most poetry text books use his poem “Upon His Departure Hence” as the prime example of monometric verse. After coming across this poem in such an anthology a few months ago, I was inspired to utilize it as a template to create a new poetry form which I have dubbed the herrickelle in honor of Herrick.

Because I realize many modern poets are uncomfortable with meter (I know I am), I decided not to make it mandatory to write a herrickelle in strict iambic monometer, although you certainly can if you wish. Instead I decided to have the form use a syllable count as its measure (much like the haiku or the monotetra, both of which I have discussed in earlier posts). So this is a description of my unofficial rules for writing a herrickelle:

A herrickelle is a poem of one or more tercets (stanzas of three lines) with each line consisting of just two syllables. Each tercet uses a monorhyme (which means all its lines use the same end rhyme and rhyme with each other). Thus the rhyme scheme would be aaa for the first tercet, bbb for the second (if there is one), ccc for the third, and so on.

Herrick’s “Upon His Departure Hence”, which rhyme scheme is aaabbbcccdddeee, technically would not qualify as a herrickelle, since he wrote its fifteen lines without any line breaks. However the poem can be easily converted into one by simply dividing its lines into five tercets. So here is what I retroactively consider the very first herrickelle in existence penned by the master himself:

Upon His Departure Hence

Thus I
Pass by,
And die:

As one
Unknown
And gone:

I’m made
A shade,
And laid

I’ th’ grave:
There have
My cave,

Where tell
I dwell.
Farewell.

– Robert Herrick

I find composing a herrickelle to be quite a challenge since one is limited to a vocabulary of just one or two syllable words. Because of this, you find yourself often forced to use a lot of short Anglo-Saxon and archaic words. Normally I strongly disapprove of contemporary poets using words like “Thee”, “Thou”, and “Art”.  Yet because of the 17th century origin of the form and its monometric rhythm which feels a bit peculiar and ancient, I think that in the case of the herrickelle, such usage is more than permissible. As an example, here is a herrickelle I wrote with a definite medieval or renaissance flavor –

Why Art Thou So Serious?

Employ
Sheer joy,
My boy!

Thou chance
To dance
And prance,

Let glee
Set thee
Now free,

Let mirth
Rebirth
The earth!

I have more herrickelles that I wrote to share with you (all which sound much more contemporary), but since this post has gone rather long, I guess that can wait until my next one. Thanks so much for reading!