The hay(na)ku is a fairly recent invented poetry form created in the Philippines by the poet and artist Eileen Tabios in 2003. It somewhat resembles the haiku in the fact that they both consist of three short lines. But unlike the traditional Japanese form, the hay(na)ku is isoverbal, meaning its lines’ lengths are measured by the number of words instead of syllables. There is one word in the first line, two in the second, and three in the third.. There is also a variation known as the reverse hay(na)ku, in which the lines are set in the opposite order (with three words in the first, two in the second, and one in the final line).

Also like haiku, a hay(na)ku doesn’t necessarily have to have a title, but there is no rule against it having one either. And as far as subject matter is concerned, anything goes.

I personally find this form much freer and thus much more fun and easier to write than the haiku, which I usually have difficulty composing. Although their quality might be dubious, I was able to turn out the following five hay(na)ku within an hour (you might notice my last two are poultry-themed – that is no doubt due to being raised as a child on a chicken farm):

Secret Identity

Nobody
knows that
I’m not me.

The Ache of Unrequited Love

Hearts
don’t really
break, but bruise.

It Will All Come Out in the Wash…

Dirty
laundry – red
hats, white sheets.

Unrecognized Potential

Sometimes
even chickens
can unexpectedly fly.

Barnyard Memories of  My Youth

Pullets
bathing in
basins of earth.