10 Great Quotes About Poets, Poetry, and Writing by E.E. Cummings

Photo by Paul Szlosek

“Well, write poetry, for God’s sake, it’s the only thing that matters.”

“Why should I be able to be a capital “I”? I’m just a cynical old poet, no one cares for what I have to say in society, they just enjoy my work.”

“It is with roses and locomotives (not to mention acrobats Spring electricity Coney Island the 4th of July the eyes of mice and Niagra Falls) that “my poems” are competing. They are also competing with each other, with elephants, and with El Greco.”

“A poet is somebody who feels, and who expresses his feelings through words.”

“My advice to all young people who wish to become poets is: do something easy, like learning how to blow up the world — unless you’re not only willing, but glad, to feel and work and fight till you die.”

“Poetry is feeling — not knowing or believing or thinking.”

“At least my theory of technique [for writing poetry], if I have one, is very far from original; nor is it complicated. I can express it in fifteen words, by quoting The Eternal Question And Immortal Answer of burlesk, viz. ‘Would you hit a woman with a child? — No, I’d hit her with a brick.’ Like the burlesk comedian, I am abnormally fond of that precision which creates movement.”

“When I write I try to be as original as possible, in order to distinguish myself from all the other writers who make their fortunes off of simple rhymes.”

“If a poet is anybody, he is somebody to whom things made matter very little – somebody who is obsessed by Making. Like all obsessions, the Making obsession has disadvantages; for instance, my only interest in making money would be to make it. Fortunately, however, I should prefer to make almost anything else including locomotives and roses.”

“Ineluctable preoccupation with The Verb gives a poet one priceless advantage: whereas nonmakers must content themselves with the merely undeniable fact that two times two is four, he rejoices in a purely irresistible truth (to be found, in abbreviated costume, upon the title page of the present volume [Is Five]).”

—E. E. Cummings

Another 10 More Great Quotes About Poets, Poetry, and Writing by Ada Limón

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“Poetry does millions of things, but if there’s one thing it does is that it helps you feel things. Poetry reminds us that we’re full human beings with thoughts and feelings … and that might be enough.” 

“Really great poems can surprise us and move us in unexpected ways. A great poem often has the perfect combination of music, story and emotional content. So it’s matching all three of those things all at once, and they come together in a harmonious way that feels sort of indescribable. You can’t figure out what it is that you love about it, but somehow you’re moved to tears or you’re moved to laugh or you’re suddenly, like, “Oh, I feel more in my body,” or, “I feel more connected to the world.” There’s some sort of indescribable moment or experience that the reader goes through, and it’s usually because those three things are working together, and in ways that are surprising. I feel like the best poems can really change a whole day. And sometimes they can change your whole life.” 

“I used to think I wrote poems in order to help readers recommit to the world. I wanted to believe I was using my intense attention to nature, to beauty, to language in order to offer proof that we should keep surviving. But through the years, I’ve realized the person I am writing for the most is myself. I am the one who needs to be reminded that this life holds all sorts of goodness even when it is often shoved to the edges by the enormity of ugliness or fear. The poems I write, the ones that offer shreds of hope or gratitude, are written because I need that hope or gratitude desperately in that moment—I need it the way plants need light.” 

“All writing to me, the act of writing, feels like a way of connecting.” 

“I wish poems came out fully formed. Sometimes I think they do come out more done than I expect. Usually, that’s because it’s something that’s been moving in my body for a long time before I put it down on the page; either if it’s the language, the music, or the image, so that by the time it comes out, and I’m actually writing, it’s somewhat complete. Those are the days where you have to go play the lottery or something because it’s so rare. But it does happen.” 

Poetry doesn’t have answers, it just has questions — they have endless possibilities. That’s what I love…poetry carries complexity, mystery, and clarity all at once.” 

“There has been a push over the last 10 years to make poetry accessible. It’s not always in the classroom. Sometimes it’s on the subway. Sometimes it’s on social media—Twitter, Instagram. That kind of access has ignited a passion, not only to read poetry, but to write it.” 

“I think as a younger poet, there was always this focus on what was right in front of me, you know, it was always about that next good bright thing, the reading and this and that. And I think now it’s really about what is it to live as long as possible, to survive in this world, that is very hard. And I’m going to experience losses, right, as they come.”  

“If you love poetry and making poems, you’ll find a way to make them no matter what. They’ll be knocking on your chest to get out, and when you’re ready, when you’ve cried enough, and slept enough, you’ll open your mouth and those poems will come flying out.” 

“I work at it [writing poetry], I edit for months, years sometimes, I throw away hundreds of drafts poems that just don’t seem to want to come to life yet, but at the core of me, making poems, writing poems is not hard. Writing poems is the good part, it’s the gift, it’s the part that doesn’t require tenacity. Poems come when I am not gritting my teeth; they come when I make myself available. So if there was one thing I could offer about how to keep going is to follow your joys when you can, follow the bright edges, let yourself be drawn to what you love and then make poems from that place. What we pay attention to is how we show our love. If it feels too hard to write, don’t write for awhile, take time off, take a nap, call a friend, work at something else, weep. Poems will come. Time will pass.”

—Ada Limón

10 Great Quotes Abouts Poets, Poetry, & Writing by Ann Darr

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“The poems I write and read help me to handle the feelings that would otherwise shred me.”

‘Poetry may not have saved my life, but I can’t imagine a life without it.”

“If I don’t write every day, it’s as if my blood stagnates, scum collects on the pond of my mind.”

“I stumbled on Prufock at the age of nine, and the world opened for me.”

“Poetry is what I do, by necessity, by luck, by desire.”

“It [poetry] is a gift I could not have imagined, if I’d been in the creator’s seat, a gift most dreadful, most magnificent.” 

“If poems aren’t the most wonderful way to communicate, I don’t know what is…”

“[Poetry] helps us understand what happens in our lives.”

“There are those poems that one reads and you say “Oh, yes, that is the way it is” and you think too “I wish I said that. Well, it has been said for me.”

“The poet has to be aware, has to be looking all time, feeling all the time, and registering in some way that can be then translated into the language we all use because that is how we communicate with each other.”

—Ann Darr

10 More Great Quotes About Poets, Poetry, and Writing by Ada Limón

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“Poetry isn’t a place of answers and easy solutions. It’s a place where we can admit to an unknowing, own our private despair, and still, sometimes, practice beauty.”

“When I began as a poet, I thought it was all about knowing. I thought it was about truth, and beauty. And every poem I read, felt wise to me. I could read Anne Sexton, Philip Levine, Lucille Clifton and I would find this deep wisdom. So I thought that’s what I should work towards, a knowingness. And then, the old cliché – and it is a cliché because it’s true – that the more you learn, the more you witness, the more you realize you don’t know. And I think I’m very scared now of certainty. Even when someone says, what’s your opinion about this? Often, I’m like, I don’t know. I don’t 100% know. And that’s because the world is changing so fast. And I can have a sense of morality, of course, and right and wrong, and goodness, but beyond that, I hope I can remain porous and open enough to not think that I know all the answers. And I think a lot of harm comes from that false certainty, that is so attached to our egos, when not only are we completely convinced that we’re right, but to be proven wrong would be almost deadly. And I don’t ever want to be in that position.”

“It’s very easy for me to expound on the power of poetry. But I’m not naïve enough to think that it can fix the climate crisis. Or that it can save all of our souls. But I do believe that it does have the power to reconnect us with ourselves, and I think it has the power to reconnect ourselves with the earth. I think it’s also important for us to recognize that in its power to just be—it’s just a poem, one poem at a time, as we say—it can actually move around the world in a way that it’s not asking too much.”

“I think any writer worth their salt is always trying to get better, trying to push out of their own comfort zones. I know that we are told we write the same poems over and over, but I am always trying to make those poems exciting for me as the writer.”

“Part of what makes poetry an art form that’s growing is that the currency of poetry is the single poem. You can send one poem, share one poem on a social media platform and people will immediately interact with those words. It’s a powerful experience and something that’s more difficult to do with long-form writing.”

“I tend not to think about readership. Instead, I think about a reader, the person I am trying to communicate with, but I don’t have the idea that a lot of people are ever going to read anything.”

“I always want to make work that matters, even if it’s just to myself. I didn’t know how to really process what I was going through in my own personal life without just writing about it. Writing is how I make sense of the world, so it would be hard not to write the poems.”

“I’ll sometimes go months without writing, which is not something I used to do. I used to write every day. I still take a lot of notes, but I think I allow myself more time to be receptive to the world, as opposed to always worrying about saying something.”

“I always think poets actually tend to switch over genres better than other kinds of writers. We start out so little. Right? We start with a sound and a syllable. So, that attention to language is there, which I think is the hardest part to teach. The musicality of language. But musicality of language can only take you so far. Turns out there’s other things, too. Like plot.”

“You must love to write poems and read poems because if you’re a poet, you’re going to have to have another job. And that job, whatever it is, is going to be your main job. And it’s going to be the thing that puts food on the table and pays your rent and makes sure you have healthcare occasionally. You know? Hopefully you’ll be writing all along, and doing things and creating. And that is going to bring joy into every part of your life. If it’s just about what you can get published, then I think that’s when it kind of falls apart.”

—Ada Limón

10 Great Quotes About Poets, Poetry, and Writing by Ada Limón

Digital Image by Paul Szlosek

“Poetry is a place where both grief and grace can live, where rage can be explored and examined, not simply exploited.”

“One question that I often get asked is how to overcome writer’s block. And the funny thing is, I overcome it, by not overcoming it. I think it’s okay to not write. I think it’s okay not to talk, not to make, not to create, not to produce, produce, produce. How can we listen to the world if we are always talking to the world?”

“I love poetry for numerous reasons, but one very essential reason is that poetry is the only creative writing art form that builds breath into it. It makes you breathe. It not only allows for silence, it demands it. We enter the poem with our own breath. For me, it’s also very simply about the units, the building blocks, of poems. The units of poetry begin with just the syllable, and then the phrase, then the line, then the stanza. It’s as much about the ear as it is the eye and it’s as much about the images and narrative as it is about pacing and rhythm. No other art form quite has that same mix of chaos and control. I love writing essays and I even write fiction from time to time, but the musicality of poetry, the breath and mystery and exactness of poetry, always wins.”

“I think poetry is a way of carrying grief, but it’s also a way of putting it somewhere so I don’t always have to heave it onto my back or in my body. The more I put grief in a poem, the more I am able to move freely through the world because I have named it, spoken it, and thrown it out into the sky.”

“It’s as important to infuse my poetry with joy as it is to infuse my life with joy. They are the same thing. My life. My poems. I lose joy sometimes. It makes me feel hopeless and it’s not a livable space. I need to point out the things that are good, that are worth living for, that make me laugh, the dog sleeping on my face in the morning, the smell of garlic and onions on the stove, the friend’s text that makes you laugh, the robin poking his head into the sprinkler, food and shelter, safety.”

“Some of my all-time favorite experiences of my life are staying up too late and talking about poetry with other poets or other poetry lovers. It’s like a drug. One person mentions a line of poem and then we have to look up another poem that goes along with it and soon we’re talking about books and meetings with older poets we admire and it’s addictive. I am grateful all the time for the community of writers that I call friends. I get to read their new poems and they do the honor of reading mine. I love it when a friends sends me a poem. I stop everything and read it immediately. I think poetry is something that really can only take place in the silence and isolation of the self, but we need to be reminded we aren’t alone. We need to have that friend that helps us to keep going.”

“Poetry is so vital and flourishing right now. People are getting turned on by poetry every day. I can feel it and I can see it first-hand. I think there’s an essential need for stories that aren’t easy or simple or solved. There’s a need for an art form that allows someone to stand inside of it, that lets people lean in and see into a person’s life without having to commodify suffering or personal pain for someone else’s pleasure. I love memoirs and novels, but we often want something big to happen in those forms, at least the market does. We desire a great trauma and then a recovery, a massive fight and then a solution, but poetry, poetry doesn’t do that. Thankfully. What it does is live in the liminal spaces. It’s not interested in showing off wounds for coins, it’s interested in living, day to day, breathing moment by moment and staring out into the sea and noticing the small thing and saying the real thing and because of that, I believe it’s the most human type of art form. It is messy and complex and real and doesn’t have any answers for us, for that reason, I think it’s something we can trust.”

“I think of poetry as the compression of language. A pressure cooker. Something distilled. And so whether or not the poem is lineated, what I am most interested in is the way the language is holding its truth. Have you ever been in a room with a couple you don’t know very well, but suddenly, by witnessing only one interaction you are able to discern so much about their entire relationship? That’s poetry to me, the moments in life where everything is revealed. A poem doesn’t have to have line breaks to do the work of revealing; what it does have to do is expose life in a new way, unearth a larger thing through one small moment. A reader only needs to know that the biggest difference between a lineated poem and a prose poem is pacing. The prose poem moves faster. It doesn’t have the line breaks to slow it down so it’s supposed to read like you’d read any piece of prose. The speed allows for a sort of surreality to take place, for the pressure cooker to get turned up.”

“Most poets I know, at one point or another, get asked the question, “What are your poems about?” And the truth is… all of the subjects are the same. We are all writing about the same things: grief, death, love, sex, desire, dreams, being alive, loneliness, nature, gratitude, pain, mortality, mortality, mortality, and so forth. How do we have answers to those big ticket topics? We don’t. We can only return to them again and again and dig our finger in the wound again. It seems after we surrender to that, there’s a way in which the poems are saying: I am here, I am here. That’s their great gift: we are simply shouting or whispering that we exist, and in doing so someone else might open a book or read a singular poem and think, “Oh wow, I exist too.” Sometimes that is all it is, and sometimes that is exactly enough.”

“One of the biggest things about poetry is that it holds all of humanity. It holds the huge and enormous and tumbling sphere of human emotions.”

Ada Limón

10 More Great Quotes About Poets, Poetry, and Writing by Denise Duhamel

“My job as a poet is to say what is too hard to say in everyday conversation and to try to say it as beautifully and urgently as I can.”

“I think our society is set up as so anti-poetry. Corporations, having to make a living – Having to make a living is really the hardest – I mean, that’s really anti-poetry, or the enemy of poetry.”

“The joy of writing poetry and the freedom of writing poetry is that no one wants it, so that you can write whatever you want. You know, Coke or Pfizer is not going to say, well, we have to censor that part. The joy is you can do anything you want because so few people are “listening”. And then that is also the inherent sadness of poetry, that you have tiny audiences and are marginalized. But I think there’s a freedom to writing poetry that’s really great, that it’s not a commodity.”

“I love the intensity of short poems, and, for me, these are the hardest to write. They don’t come naturally to me as I am a chatterbox, in poetry and in real life.”

“Poetry is a place where words are there to help people live, to say something sublime. Poets aren’t selling anything, not even their books really, as you can hear people read poems for free on Vimeo or YouTube.”

“I am a big proponent of “freewriting” and I use either a journal or my laptop to “free write” every day for at least twenty minutes. Some days are purely awful and some are just rants about politics. As you can imagine, there are a lot of those these days. I don’t judge myself though as I go along and sometimes it takes me a month or more before I even go back and reread anything I’ve written. Then I highlight what might be useful for poems—lines or images—and sometimes around day 12 there is just an almost finished poem and the next day is gibberish or wordplay exercises. When I have long stretches of time to sit down and write, I always have my freewriting to get me going so I don’t have to start with a blank page.”

“I almost always come up with my titles after the poems are written. I am a fan of long titles and provocative titles and the occasional exclamation point.”

“I started wanting desperately to say something, to make a point, to be heard – and I still feel that way. Free verse served me best when I embarked on poetry.”

“I don’t think it’s important that all poetry is plainspoken and I think there is definitely room for the elliptical and experimental in poetry. But, for me, clarity and accessibility are my goals; I really want to communicate feelings, even political ideas. My project is to write a poetry that can be understood by anyone who picks up my book.”

“Unlike Woody Allen, I would be happy to be part of any (poetry) club that would have me.”

—Denise Duhamel

10 Great Quotes About Poets, Poetry, and Writing by Richard Wilbur

“Writing is? Waiting for the word that may not be there until next Tuesday.”

“If a good poem has an air of spontaneity, it has that air because the poet has been careful, in his slow and choosy writing of the poem, to keep in touch with its original impulse. And one must try to do that, one must try to keep the poem seeming sudden and abrupt even though it has been slowly contrived.”

“Sometimes very strong feelings don’t get written up because the interesting metaphor or dramatic situation doesn’t suggest itself. So much of one’s life goes unused.”

“When a poet is being a poet — that is, when he is writing or thinking about writing — he cannot be concerned with anything but the making of a poem. If the poem is to turn out well, the poet cannot have thought of whether it will be saleable, or of what its effect on the world should be; he cannot think of whether it will bring him honor, or advance a cause, or comfort someone in sorrow. All such considerations, whether silly or generous, would be merely intrusive; for, psychologically speaking, the end of writing is the poem itself.”

“Step off assuredly into the blank of your mind. Something will come to you.”

“I write poems line by line, very slowly; I sometimes scribble alternative words in the margins rather densely, but I don’t go forward with anything unless I am fairly satisfied that what I have set down sounds printable, sayable. I proceed as Dylan Thomas once told me he proceeded—it is a matter of going to one’s study, or to the chair in the sun, and starting a new sheet of paper. On it you put what you’ve already got of a poem you are trying to write. Then you sit and stare at it, hoping that the impetus of writing out the lines that you already have will get you a few lines farther before the day is done. I often don’t write more than a couple of lines in a day of, let’s say, six hours of staring at the sheet of paper. Composition for me is, externally at least, scarcely distinguishable from catatonia.”

“Writing poetry is talking to oneself; yet it is a mode of talking to oneself in which the self disappears; and the product’s something that, though it may not be for everybody, is about everybody.”

“That’s the main business of the poem!-to see if you can’t make up a language that sets all your selves talking at once-all of them being fair to each other.”

“I’m grateful to all of the poets of the past who have delighted me, and who gave me a feeling that I wanted to do something like that. And if there is a muse, I’m grateful to the muse for the occasional experience of making something as good as I wanted it to be.”

“It is true that the poet does not directly address his neighbors; but he does address a great congress of persons who dwell at the back of his mind, a congress of all those who have taught him and whom he has admired; they constitute his ideal audience and his better self.”

—Richard Wilbur

10 More Great Quotes About Poets, Poetry, and Writing by Lawrence Ferlinghetti

“If you would be a poet, write living newspapers. Be a reporter from outer space, filing dispatches to some supreme managing editor who believes in full disclosure and has a low tolerance for bullshit.”

“Poetry is what we would cry out upon awakening in a dark wood in the middle of the journey of our life.”

“The best writing is what’s right in front of you. Sometimes I’d walk down the street with poets and they wouldn’t see anything. I’d have to shake their arm and say, ‘Look! Look!’”

“A poem can be made of common household ingredients. It fits on a single page, yet it can fill a world and fits in the pocket of a heart.”

“I’m really not interested in ‘craft’—I think it’s a miserable word to be applied to poetry. Do you think Keats and Shelley thought about ‘craft’? In fact, can you imagine Keats, Shelley, Wordsworth or any of the other great poets, let’s say Dante, can you imagine them going to a poetry workshop?”

“For even bad poetry has relevance for what it does not say for what it leaves out.”

“I never wanted to be a poet. It chose me, I didn’t choose it. One becomes a poet almost against one’s will, certainly against one’s better judgment.”

“Publishing a book of poetry is still like dropping it off a bridge somewhere and waiting for a splash. Usually, you don’t hear anything.”

“Constantly risking absurdity and death whenever he performs above the heads of his audience, the poet, like an acrobat, climbs on rhyme to a high wire of his own making.”

“Poets, come out of your closets, Open your windows, open your doors, You have been holed up too long in your closed worlds… Poetry should transport the public to higher places than other wheels can carry it…”

—Lawrence Ferlinghetti

10 Great Quotes About Poets, Poetry, and Writing By Galway Kinnell

“A poet should not call himself a ‘poet’, being a poet is so marvelous an accomplishment that it would be boasting to say it of oneself.”

“Perhaps poetry will be the canary in the mine-shaft warning us of what’s to come.”

“That’s the way it is with poetry: When it is incomprehensible it seems profound, and when you understand it, it is only ridiculous.”

“One thing that leads one into poetry is an interest in words. Not words as written things with a referent, but words as sound that the body produces, that fill the mouth and that are therefore in some way psychically identified with the thing they’re talking about. And that have a content which can’t be reduced to a definition. Like ‘spartled.’ ”

“To me, poetry is somebody standing up, so to speak, and saying, with as little concealment as possible, what it is for him or her to be on earth at this moment”

“It’s the poet’s job to figure out what’s happening within oneself, to figure out the connection between the self and the world, and to get it down in words that have a certain shape, that have a chance of lasting.”

“Prose is walking; poetry is flying”

“When you write well, there is a kind of special mood that comes upon you, different, I suppose, for every person, but for everyone different from just the normal, day-to-day way they feel. And words seem to come on their own. You’re understanding them and shaping them, and yet they come out saying things that you didn’t know you could say.”

“There are two versions to every poem – the crying version and the straight version”

“Most good poems address themselves to things that we all know about, and the only preparation we need, as readers, is a kind of paying of respect to our inner life, to the feelings we have that are of no practical importance: the sense of strangeness and the hauntedness of existence; the fragility of our position on the globe, and the fragility of the globe itself; this very peculiar situation we’re in, self-conscious creatures who know that we’re lost in some kind of existence that we don’t understand at all.”

—Galway Kinnell

10 Great Quotes About Poetry, Writing, and Art by Don Paterson

“Poetry is unlike other art forms because you can’t really do it for a living. It seems more a helpless disposition. I always think poetry may be one corner of a larger syndrome. It often involves obsessive and addictive personalities – and mental illness. Most poets can’t drive a car and the ones who do drive shouldn’t.”

“Poetry is the science of nuance in language.”

“A poetic form is essentially a codified pattern of silence. We have a little silence at the end of a line, a bigger one at the end of a stanza, and a huge one at the end of the poem. The semantic weight of the poem tends to naturally distribute itself according to that pattern of silence, paying special care to the sounds and meanings of the words and phrases that resonate into the little empty acoustic of the line-ending, or the connecting hallway of stanza-break, or the big church of the poem’s end.”

“Mediocre art is far worse than bad art. Bad art does not waste our time.”

“The poem, in a sense, is no more or less than a little machine for remembering itself … Poetry is therefore primarily a commemorative act.”

“Poems are deliberately unstable statements, where you’re supposed to see yourself in the thing — if the poem is any good.”

“I think there are real mistakes in thinking you have something called “your voice”, because that just leads rapidly to self-impersonation. Then you just sit down to write another poem that sounds like you, and that’s just self-censorship, and it leads to terrible repetition. The big danger is that people fall in love with their own voices. I’m sure I do too, but I try to avoid it.”

“If you write poetry, it’s your own damn fault.”

“People need to learn to have patience with the language. Most people can write a pretty good line, but a really good line can start with a tiny gesture or small shift in language or shift, that takes time. Big revisions are necessary in the beginning, larger seismic shifts, but I always think that publication is the point of being finished, and if you don’t have that in mind, that idea of public art, the whole relationship is incorrectly configured from the start. As you start to anticipate that condition and somebody else’s eye on it, then that really helps you write your best lines. You have to read it as someone else’s poem.”

—Don Paterson